IHFILM 270 INTRODUCTION TO FILM ANALYSIS
This course is designed to equip students with the tools necessary to become critically aware and capable film viewers by introducing elements of film form, processes of textual analysis, a variety of cinematic techniques used in narrative and nonnarrative cinema, and other models of critical analysis used in film criticism. Fall, Spring.

IHFILM 271 INTRODUCTION TO FILM HISTORY
This course examines the history of narrative film’s technical, aesthetic, industrial, and social development within an international context, particularly in relation to wider cultural and political movements. Film screenings and frequent writing assignments are employed to encourage critical skills in terms of cinema aesthetics and cultural criticism. Fall, Spring.

FILM 240 INTRODUCTION TO DIGITAL MEDIA MANAGEMENT
2 credits
The students will be introduced to the basic terms, concepts, and techniques involved in the postproduction of film and video projects. The class is comprised of lecture, demonstration, and in-class exercises. All editing is performed on the Avid Xpress DV platform. Prerequisite: Film majors only or permission of instructor.

FILM 250 FILM PRODUCTION I
Introduction to basic filmmaking technique, structure, and aesthetics through production of video projects. Students gain skills in narrative filmmaking through emphasis on story, cinematography, editing, and directing. Course participation demands outside-class production time and either ownership of or access to a digital video camera. Prerequisite: FILM 240 (may be taken concurrently). Film majors only. Fall, Spring.

FILM 259 FILM STUDIES CREDIT
1 credit
With approval of the faculty member concerned, a student may earn credit for film archival work, indexing and repair, or for participation in a faculty-directed film production. May be repeated for credit. By permission only. Graded Pass/Fail. Fall, Spring.

FILM 290 SPECIAL TOPICS
An exploration of areas not covered by the regular curriculum. Content depends on available faculty and resident artists. May be repeated for credit.

FILM 294 COOPERATIVE EDUCATION
1-6 credits
Introductory work-learning experience in film and/or video production, distribution, exhibition, or preservation, for which compensation may be received. Positions arranged by students, with sponsorship, approval, and evaluation by full-time faculty. Elective credit only (normally 120 hours per credit) for a total of 12 credits per degree program. Prerequisites: 24 total credits earned, 2.0 cumulative GPA, and permission of instructor. Graded Pass/Fail.

FILM 298 INDEPENDENT STUDY
1-6 credits
An opportunity for a qualified student to explore work in an area of individual interest, selected and pursued in consultation with a faculty member. Consent required of the instructor who will supervise the independent study. May be repeated for a total of 6 credits.

FILM 350 FILM PRODUCTION II
Study of 16mm synchronous-sound, nondialogue black-and-white film emphasizing preplanning, script writing, and development, and pursuing advanced directing, cinematography, editing, and sound issues. Participation demands significant outside-class production time and substantial student financial output. Films should be produced by teams of two; prearranged partnerships are encouraged. Prerequisites: Grade B or higher in FILM 250 (or equivalent) and permission of instructor. Must be taken concurrently with FILM 351. Film Production Option students only. Fall, Spring.

FILM 351 INTERMEDIATE PRODUCTION STUDIO
Film production studio emphasizing hands-on equipment, facilities, and technique demonstrations. Prerequisites: Grade of B or better in FILM 250 (or equivalent) and instructor’s permission. Must be taken concurrently with FILM 350. Film Production Option students only. Fall, Spring.

FILM 352 FILM GENRES AND DIRECTORS
Examines a body of narrative films related by virtue of theme, director, country, or period from historical and theoretical perspectives. May be repeated for credit as topics change. Prerequisites: FILM 270 and FILM 271, or permission of instructor. Fall, Spring.

FILM 355 FILM THEORY
The study of major film theories and their application to specific films. Formalist, structural, and ideological theories are covered. Prerequisites: FILM 270, 271, and 352, or permission of instructor. Spring.

FILM 440 ADVANCED PRODUCTION TECHNIQUES
Exploration of film production areas not usually addressed through the regular curriculum. Specific topics and techniques covered vary. May be repeated for credit. Prerequisites: FILM 350 and permission of instructor. Fall, Spring.

FILM 450 FILM PRODUCTION III
4 credits
First semester of yearlong course emphasizing preproduction for all crew positions toward production of 30-minute syncsound, dialogue, 16mm color project. Participation demands substantial student financial output. Films should be produced in crews of seven to 10; prearranged crews are encouraged. May be retaken once for a total of 8 credits with instructor’s permission. Prerequisites: Grade B or higher in FILM 350/351 (or equivalent) and permission of instructor. Fall.

FILM 451 FILM PRODUCTION IV
Second semester of yearlong course emphasizing preproduction for all crew positions toward production of 30-minute syncsound, dialogue 16mm color project. Participation demands substantial student financial output. Films are designed to be produced in crews of seven to 10; prearranged crews are encouraged. May be retaken once for a total of eight (8) credits with instructor’s permission. Prerequisites: FILM 450 and permission of instructor. Spring.

FILM 460 DIRECTING THE ADVANCED FILM PROJECT I
This course is designed to give an advanced production student experience directing the annual yearlong advanced project. Students will select his or her crew and fully preproduce the film, guiding the project and crew through the first (preproduction) semester of the course. Students will work closely with the instructor outside of class to fully prepare the project and facilitate communication between crewmembers. Prerequisites: FILM Production Option students only, FILM 451, and permission of instructor.

FILM 461 DIRECTING THE ADVANCED FILM PROJECT II
This course is designed to give an advanced production student experience directing the annual yearlong advanced project. Students will continue the process initiated in FILM 460 by producing and postproducing an advanced film or video project, guiding the project and crew through the second semester of the course. Students will work closely with the instructor outside of class to fully prepare the project and facilitate communication. Prerequisites: FILM Production Option students only, FILM 460, and permission of instructor.

FILM 490 ADVANCED SPECIAL TOPICS
An exploration of areas not covered by the regular curriculum. Content and prerequisites depend on available faculty and resident artists. May be repeated for credit.

FILM 495 SEMINAR
Intensive study of a particular theme or topic relating to film or film production. May be repeated for credit as topics change. Prerequisites: Junior standing and FILM 270, 271, and 352, or permission of instructor. Fall, Spring.

FILM 498 INDEPENDENT STUDY
1-6 credits
Intensive study of an issue, problem, or topic related to film or film production. May be repeated for a total of 6 credits. Prerequisites: Junior standing and permission of instructor.

FILM 499 SENIOR RESEARCH PROJECT
Culminating course for critical studies in film. Under the guidance of a faculty member, students develop, research, and present an individualized project on a chosen historical or critical topic. Prerequisite: FILM 495 or permission of instructor.